Harsh Krieger
Harsh Krieger
 
Review by Charlie Fox
 
May 4, 2005

Greetings to all my fellow Hipsters, Party Crashers, and Break Dancers (especially the Break Dancers, I love it when you guys do the robot!)

The Fox-man is back! (That's right, not only do I refer to myself in the 3rd person, I give myself nicknames too.)

I am on the air. Alive & in color. I am your Gonzo reviewer!

And I bring with me the debut album of a young up & coming from a place called Nashville, a little town down south with a rather rich musical history.

Say hello to Harsh Krieger.

... ok, yeah, you can't actually say hi to them, because you're reading this on a computer screen, and they're not actually here.

But if you were to actually run into them... well, first apologize for not paying attention and running into them. Help them off the ground if you knock them over too. And then stop running all the freakin' time and walk, because this what happens when you're always running. Fer cryin' out loud you learned that in elementary school... So after all that, say "Hi!", because you read this interview and I told you too.

This is the debut release of Jake Harsh (who has a future in action films with a name like that, if the whole music thing doesn't work out) and Jesse Krieger (who doesn't have an action film name, but hopefully Jesse will look out for him and put him in his movies). Their self-titled debut, Harsh Krieger, comes to us from the coolest sounding indie label I've heard of so far, Tabula Rasa Records.

And I gotta' say, I like it.

After a few listens to the disc, I couldn't help but feel like there was something familiar about the band, and I realized it was that they reminded of one of the most underrated pop bands of the last 15 years, Del Amitri. Not saying these guys are clones of the band by any means, just that their sound and Jake Harsh's vocals are very reminiscent of the band. Don't know if Harsh Krieger are fans, but it's a compliment for sure (feel free to also pick up The Best of Del Amitri, Hatful of Rain to see what I'm talking about).

They obviously get something that is to often lost in the whole indie music scene... strong melodies are a good thing! Accessibility is a good thing! You don't have to go out of your way to challenge and/or alienate the audience. God forbid young, up & coming artists should make something that sounds like good pop music. (and for those of you out there who equate "pop" to Britney Spears, Jessica Simpson, Justin Timberlake, and anything off of American Idol, get your head out of your ass. Pop music has a rich and vivid history, drawing from a rich landscape of genres and influences. What kind of music do you think that is on all of your Beatles albums??)

The disc leads off with a great Track 1-Side 1, Home. A good tune that pulls a little musical bait & switch with' its lightly sampled and strummed lead in, then breaks & kicks in with the drums, followed by the rest of the band, to let you know that they're serious about getting your head bobbin'.

I don't know if it'd make Rob Gordon's all time Top 5 Track 1's-Side 1's, but I'll bet he could equally impress Dick with his ability to sell 5 copies of the new disc by Harsh Krieger, just as he did with The Beta Band. (And if you don't know what the hell I'm talking about, go out and buy, not rent, a copy of High Fidelity on DVD. It's a great movie, and it'll definitely help clear up your misconceptions and attitude towards pop music.)

So You Could Live, Change, The Shore, and The Luming join Home as the album's strongest tracks. They showcase the band's ability to mix a guitar driven sound with the influence of the folk n' country sounds/strings of the town they come from. This is a good thing. A band that gets its first break in a place like Nashville should sound just like that, a band from Nashville, regardless of the type of music they're doing. Embrace it and wear it on your sleeve boys!

The rest of the album... I don't know. I think they have a great blue print with Home, and on some of the later tracks on the album, they seem to stop following that blue print. Like I alluded to before, you guys clearly have a knack for the whole pop melody thing, so don't try to force it. Tunes don't have to be cool or unique, they just have to be good!

Home's been getting a lot of play recently on MTV reality staples The Real World and The Road Rules, as well as Fox's The Simple Life. (NOTE TO THE BAND: Guys I appreciate that you have to be open to all sorts of opportunities to market & promote yourself, but do you really want to hitch your wagon to anything that Paris Hilton is involved with? Her only talent is... well, being an incredibly shallow, talentless rich kid who's never had to work for anything in her life. Her 15 minutes are going to be up soon. Even Nicole Ritchie figured this out and got off that stupid show. I'm just saying it's ok to say no.)

I know these things because all of us here at RIYLmusic plugged into the entire pop cultural scene... and I got a really slick & glossy folder with a bunch of stuff about the band inside of it. (More commonly known in the business as "Promotion Materials" and/or "Press Kits".) That's how frickin' important I am. That's how powerful RIYLmusic is. People don't just want us to listen to the band, they want us to know everything about them. Nothing happens in the business without us knowing about it. We are THE insiders, and more & more people are clearly learning this.

Anyway...

If you're looking for something new and fresh to add to the soundtrack of your own personal reality series, give Harsh Krieger a try. It's spring, summer's coming, and it's time for you to change the CD's in your disc changer as it is.

Don't wait for Clear Channel to tell you what's new & worth checking out.

That's my job.

Peace Out Y'all!